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3 Uppsatser om Camouflaged swedification - Sida 1 av 1

En kamouflerad tiger? -En kvantitativ studie kring ungdomars moderna svenska kulturella identitet

Syftet med denna uppsats var att undersöka vilka historiska händelser och begrepp som är det samlande kittet för ungdomars svenska kulturella identitet idag. För att undersöka detta har vi genomfört en kvantitativ studie på Pauliskolan, en gymnasieskola i Malmö. Enkäten fokuserar på frågeställningar som berör den svenska efterkrigsidentiteten. Begrepp som vi har lyft fram är bl.a. den svenska neutraliteten och folkhemmet.

Skånes integration Orsaker till framgång

This essay is a case study that deals with the integration of Scania into Sweden,which started for over 300 years ago. The purpose is to capture why theintegration of Scania succeeded, what were the main reasons or factors and todiscuss the effects the scanian identity and culture had on the integration. This hasbeen done with the help of different theories that will help sort out main factors tothe successful integration. The result of the study revealed a number of factors, tobegin with the scanian identity appeared not to be such a great obstacle for theintegration that one could believe. The identity developed because of the?swedification?, which were the measures the Swedish government took tointegrate the new territory.

Dada ser första världskriget i Berlin : En studie av kopplingen mellan George Groszs, Hannah Höchs samt Raoul Hausmanns visuella konst och första världskriget

The First World War had a definite impact on all of Europe, not to say the entire world. The domain of art was no exception. In Zürich, neutral Switzerland, a group of young creative intellectuals who shared a hostile approach towards the structure of the bourgeois society, with its non-democratic rulers and current nationalism which lead up to the war, united under the artistic movement we today call Dadaism. After the war Dadaism sprung up in several cities throughout Europe, among those Berlin. In Berlin Dadaism became a socialist weapon of propaganda, with its norm breaking artistic manifestations, against the camouflaged conservative government of the new Weimar republic.